Stagedoor Manor

This is a very interesting documentary. I highly advise all people looking for a life in theatre or living a life in theatre, to take a peek.

"Where are all those people who move chairs?"

There is such an emphasis on the styles of theatre that are so godawful. But can we expect our children to cut their teeth on Beckett and Ionesco? Simpler theatre for youth, perhaps. But when and where can we show them that "Mame" is not the bee knees of theatre? Is that the function of college? I will say that, should I ever get the honor of teaching younger children about stagecraft, I promise to push the envelope and not put musicals above everything else.

This is the appropriate time to unleash a little secret. I like musicals. There is so much power in the combination of live music and live acting. A person singing right in front of you is capable of such powerful emotion. I think, perhaps, the contemporary musicals are not being responsible in their themes or topicality. I mean, "Legally Blonde", really? Or even more frightening, "Spiderman: the musical." Apparently coming soon, helmed by Julie Taymor, to replace the juggernaught of "Young Frankenstein". Dear Lord, where are we headed.

But that still leaves the key question of the day, how can we teach theatre to the youth sans the elemental problems of the theatre of the dead. The theatre of the undead. The shuffling decay of pointless trivial theatre, where Broadway is held up as the pinnacle of American Theatre... How do we lead them to see the need for invigorating stimulating theatre?

Sometimes I feel I'm not equipped to answer the questions I ask. But isn't that a sign of wanting more? Of reaching out for greater knowledge?

I hope so.

Realism continued

So after a little reading and thinking, I have the short answer to the definition of realism. Realism: (dramatic arts) a movement towards greater fidelity to real life.

Realism

So, here I am, tasked with writing a realistic play, which begs the question, what is realism? What are the rules by which I must play in order to get a passing grade. While I am familiar with the notion of realism, we are, by no means, close friends. I've avoided writing in that style because I feel it represents, among other things, what is killing contemporary American Theatre. How can I bring myself, even in an exercise, to write something I perceive as so awful and, for lack of a better word, dangerous?

A New Test

I recently acquired a new phone, and I am excited to have it, like any gadget, it takes a significant amount of getting used to. Here is the first of, hopefully, many new posts.

The Problem of Defining Theater

And theatre is you run the risk of limiting theatre. And as I use this mild public forum to lash out in childish frustration upon the topic I don't understand. I don't get it. It being the play selection of any theatre these days, from my school to the major regionals to broadway.

I do want something different. I want there to be a reason to go to theatre again, more than just because it's there. I want to be excited by theatre again. Is that so much to ask?

As I said I was going to answer the question- What is theatre?- I suppose I will. In my estimation, theatre is a performance that happens in front of an audience, the bulk of the performance being live, happening right there.

And if that's the whole definition, well, what then separates it from dance? Or just basic performance art? I'm open to other ideas here. Anything?

On a final note, a received a contradictory note from a former playwrighting professor, in which he told me to stop writing new plays in order to focus on rewriting the ones I have already written. But, he also mentioned that he wanted me to try writing a fully realistic play in order that I might see the full power and potential of realism (I would guess in his mind above and beyond the other available genres of theatre available).

I haven't written anything in a while, and I'm thinking of trying to bust out of this writing slump by putting together a realism piece. What will it teach me? Who knows. Who knows. Of course, it begs the question, what is realism?

Next time: what is realism?

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Tackling a Difficult Question...

... Which is: "What is Theatre?"

I'm not sure. Quite the answer. Six years of school and six of professional life and that's the short answer.

To be clear, theater is a building, theatre is the art form.

What is theatre then? Well, there are some intrinsic elements that I feel must be accounted for. Theatre is a performance. The bulk of a piece needs to be made up of a live performance, though I fully understand and realize the need to explore the convergence of theatre with other media in this day and age. But there needs to be something more than just performance. What can we point out to differentiate theatre from contemporary performance pieces, or modern dance? Is it story? Is it themes? Visual flair? Perhaps avant-garde theatre and modern dance are so close as to be indistinguishable.

I want theatre to have a story, and to have a point. I want theatre to mean something, because if I'm going to give up my time and money (which is an increasingly larger quantity each time I'm asked to go to a show), I want something bigger, bolder, something that means more than the procedurals gracing the television. I want more than the clever plotting and solid realism dancing across the silver screen. I want my theatre (dare I say all theatre) to take advantage of the fact that it is theatre, that it has inherent advantages over television and film and radio. I want my theatre to finally admit that realism is a vein more apt to be plumbed in film, not theatre. Film does it so well, why must we exist in this world where realism is still trying to be king on stage. Please. Stop it already. But you won't. We won't. The train is rolling.

I won't sit here and rail against realism, as much as I might want to, BUT why can't people take a moment and look at what theatre has to offer? Live actors! Right there. Feet away from the audience. Realism asks us to put a wall there, that infamous fourth one. They ask the audience to pretend, to enter into that Devil's Pact of make believe, that what we see on stage is real. That Hedda Gabler's cabinets are full of dishes and the like. But we know that's not Hedda Gabler. Or Roma. Or anyone but Kevin Kline. Or Jennifer Garner. But we can't say that. There's no acknowledging that in realism. Because it's real.

But here's the catch. The rub. The sandpaper against your bum:

It's not real. The play is just as contrived as anything.

Now don't get me wrong, I won't say realism has no place in theatre, I just think there's too much of it- I dare say I hold the over saturation of realism in the market to be one of the key factors in the (and I recognize the oxymoronic nature of this) increasing decline of American Theatre. There, I said it. Not an answer to what is theatre, but perhaps the start of uncovering my frustration.

Okay, I'm off for the night and will return with more when I can.
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What is Art? (Part 2)

Today was a good day.

I spent the better part of it wandering around New York's Metropolitan Museum of Art, which has the very best price to culture ratio. This wandering allowed me to really take time to think about the nature of Art. There's a full spectrum of visual thrills available, as Art from most, if not all, periods of Western history are on display. From ancient Egypt to Monet and beyond.

What, then, is Art?

I know it when I see it? In some senses, I wish there was some strong delineation between art and not, but exclusivity breeds elitism, not Art, not creativity. I think good art separates put by being an item that truly provokes thought or emotion. Art should strive to invite the viewer/spectator/audience member out of their comfort zone. It's an invitation to explore new thoughts and concepts, to view our world from a different perspective.

Some Art does this better than others, some is exceptionally effective for person A, and merely two blue lines for person B. Can we say art must effect everyone? There's a glorious freedom in art, and putting up boundaries destroys the garden.

I know what I want Art to be, but the big question is, I guess, do I know what I want Theatre to be?
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A quote

"In Tara Donovan's phenomenological art, the mundane meets the miraculous; the inanimate appears organic, almost alive; and an aesthetic simplicity of subtle forms is ingeniously achieved from a vast conglomeration of consumer goods."
- Met Wall

Hot. Just hot. Both the art and the words written about it. Taking the mundane and making it extraordinary.
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What is Art? Pt 1

The precursor to what is Theatre, I think it's time I try and define Art. What is it? Where are the boundaries between Art and, well, not-art? Things that masquerade as art, say, crass commercial movies or theatre?

But then what about Pop Art? Found Art? Can I hang Duchamp out to dry?

I'm at the Metropolitan Museum of Art to come up with an answer. More on this as events warrant.
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